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Dhiman Sarkar, The Organizational Art Initiatives in the Contemporary Art of Bangladesh and the global impact on Native Art, Submitted in the Conference of the publication of the Faculty of Arts and Humanities-2019, Jahangirnagar University, Jahangirnagar University,

(Funded by University Grants Commission, Bangladesh))

Dhiman Sarkar, Art Biennales: The International impact on the Art of Bangladesh and the context of Native Modernity, Journal- Jahangirnagar University Journal of Fine Art Studies; ISSN: 2706-6193, 04, June 2018, 2019.

Numerous numbers of international Art Biennales are being held in different countries which has become a very common phenomenon from the very beginning of the diverse and extravagant art milieu of twentieth century. In this contemporary age, any country, along with the manifestation of its native practices are demonstrating diverse art-natures deriving from the different parts of the globe. In our country, several art biennales like young artists Exhibition, Asian Art Biennale, National Art Biennale are being held since late '70s of the last century among which the Asian Art Biennale is considered as the largest one in the region of South Asia. Having experience from these happenings, the art practices both in main-stream and local milieu are getting diverse as well as hybrid in nature which definitely can be perceived as the cases of changing realm of socio-cultural happenings. Along with the brief depiction of such observation, in this article there is an articulation of the native nature of art in our spatial practices which might propose a worthy collaboration with the modern aptitude of hybrid manifestation.   

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